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Current News and Events (in no particular order):   ​(*denotes online exhibition)

• Accepted: Ohio Arts Council, "Ohio Artist Registry 2022 Juried Exhibition" The juried exhibition will be presented at the Columbus Metropolitan Library's Main Library in the Carnegie Gallery from January 27 to March 31, 2022

• Anthony Wayne Area Arts Council Holiday Show (until 12/19)*

• Findlay Art League, "Fall Show" (Findlay, OH) Opening Reception Nov. 5th 5-9pm (show until 11/20)

• Valley Art Center "50th Annual Juried Art Exhibition" (Chagrin, OH) Nov. 5th-Dec. 15th (O.R. 11/5 5-8pm) • Honorable Mention

• Winner urban sketch/landscape category Pentel Arts Spotlight Competition.  Week of 11/5 I am spotlighted culminating with an instagram takeover on the 5th https://www.instagram.com/pentelofamerica

Ohio Art League Fall Show*, (Columbus, OH) •Second Place*  Showing until 11/30

•  My artwork is now showing @ The UrbanWoody Brewery in Fostoria, OH

•  Artist Spotlight. RESCHEDULED (TBA), King Road Branch Library, Toledo OH -  6-7PM

•  Findlay-Hancock County Public Library "Author Fair"  (Findlay, OH) Friday Nov. 5th 5:30-8:30pm

•  Fallen Timbers Art Festival - 3100 Main St. Maumee, OH 43537 (in the former "Forever 21" store) Nov. 6&7 2021 11am-5pm 

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“Landscapes” Artist’s Series Statement:
My love of landscape has developed from the discipline of plein air painting. For me, the immersion ‘in’ the landscape is transportive. Although my presented works are created in the studio, when I hear my viewers say “oh, I want to be there”, I know that I’ve tapped into their need for 'immersion' as well.


​I am attracted to lush landscapes whether 'in the wild' or structured gardens.  Within these lush scenes, multiple views of an area become a point of interest for me.  Creating works in separate mediums also fuels this. Although I’m not doing diptychs or triptychs, I am understanding the grandeur within a microcosm, like Monet and his repetition of waterlilies.  In just a few steps a scene can change so dramatically, so I am drawn to keep the area but with a different view. 


I currently paint watercolor on YUPO or acrylic paints.  I am attracted to The vibrancy of color and luminous nature that the synthetic paper (YUPO) affords. It also enables me to explore textures, be bold, and achieve the ‘lush’ escape I’m going for.  Concurrently, the use of acrylics with palette knives pushes me further into an impressionistic expression with the added excitement of thick texture. 

I am drawn not only to the beauty within a scene, but am careful to include beckoning elements of light/shadow, repetition and depth. Scenes chosen revolve around a dance of light and shadow and it's own sense of invitation to explore; pathways are common to include for this reason. Quiet, hidden, reflective/introspective....lush; these are things I look for.  I am polarized by scenes that make me forget my troubles and I feel "enveloped", even if just for a moment. 

“Hands” Series Artist Statement:
To this artist, hands are a beautiful thing. Hands nurture; they toil, they bless - they strive. Beyond prayer, hands empower the soul. They also tell every story under the sun. Trial to triumph, compassion to crucifixion--these hands are filled with every line of life.


My works convey an underlying spiritual theme; with overtones of societal issues. The element of 'hands' depicted are an important vehicle to deliver an expression of emotions that need no face to convey, no voice to tell. To the spiritually sensitive, rich meaning can be drawn; while the rest may find themselves moved by the emotional tone of the piece, depiction, or left with a hunger to discover ‘why?’ ​


I use an earthen palette which holds a feeling of age... history, treasured memory.  Mixing media helps me flow with what is best for the piece. Focal points needing depth and opacity while inherent darkness to a work is often used to convey a dreamlike 'state of thought' or as an ‘underline’ to the deeper spiritual message I am intending to convey. Dimensional objects are often inserted; that element of texture is an important means that brings ‘physicality’, --that drawing sense of ‘Touch’.
Through such uses, my desire is to pull the viewer into empathy; fusing personal life experience with the message and emotion that the painting exudes.

The ‘Hands’ tell the story. I have found that if I cover the artwork and leave only the hands showing, that there must be a story, an emotion -- a sense. If it’s not there, it’s not ‘Hands’.


-All art including Commissions​​-